Are you a “Twi-Hard?” Then you really have very little reason to be reading my reviews of anything vampire-related, for one thing, and probably have a vastly-greater tolerance for crappy writing. You probably won’t want to read this review. I’ve said it before (though I don’t believe I’ve said it in any of these reviews): immortal beings who sparkly are not vampires but a particularly nasty breed of fairy. If I’m being charitable, perhaps a vampire-infected breed of fairy–but a fairy, nonetheless. Vampires are an incredibly rich subject matter for storytelling, allowing you to wrestle with themes of immortality, good VS. evil, inner demons, all kinds of stuff. A conflicted vampire, ala Buffy The Vampire Slayer’s Angel? Sure. Walking in sunlight? Dracula does that in the original novel, so I’m flexible on this count. Sparkling? That’s just wrong. Sneaking into a girl’s room to watch her sleep? That’s just creepy, and I don’t mean the kind of creepy one should find in a vampire novel. (Want some fun? Find a YouTube video of Robert Pattinson discussing Twilight. He hates it!) My favorite apraisal of Twilight comes from an interview where the reviewer asked Stephen King what he thought of the book, given his praise of J.K. Rowling and the fact that some people were comparing Twilight and Harry Potter. Mr. King responded in a very matter-of-fact manner: “Stephanie Meyer cannot write for $#!^.” I’m less rigid in my ideas of what vampire stories are aloud to do than King is–I suspect Angel would stick in his craw almost as badly as Edward Cullen–but given that review I was fairly certain I was not in for yet another Twilight knock-off when I picked up the first volume of American Vampire . I was not disappointed.
American Vampire is a Vertigo series conceived by Scott Snyder, with the first volume (issues #1-5) written by Snyder and the legendary Stephen King, and drawn by Rafael Albuquerque. The first collection forms two stories told in alternating chapters, one set in 1925 Los Angeles, the other beginning in the 1880s and detailing the origin of Skinner Sweet, Old West outlaw-turned-vampire. Snyder writes the 1925 story, telling the story of Pearl Jones, a wannabe-actress and newly-minted pawn in an old feud between Skinner Sweet and the old school of vampires–European nobility of breeding and money. King writes the origin story based on Snyder’s outlines. Sweet is the first of a new breed of vampire, and the first vampire conceived on American soil. Sweet’s strain of vampirism doesn’t follow the old rules. He can walk in the daylight, may even be strengthened by it, and seems impervious to silver and garlic. The vampires of this series are savage animals, and while they may at times be sympathetic protagonists we are never allowed to forget how monstrous they are just below the surface. I’m not really all that well versed in art, but I will say that Albuquerque’s work here is very good. He captures the feel of the Old West and the savagery of the characters quite well. I’m not sure if King’s involvement goes beyond this first volume (UPDATE: it does not), but nevertheless I definitely intend to continue reading this series!
Content: This is a Vertigo book, so very much intended for an adult audience. There is a lot of violence, very savage and vividly rendered. This is a vampire book, what did you expect? The language is definitely R-rated, and there is a bit of sexual content. A bit of nudity too, but that part is non-sexual. (It’s a corpse, if you must know. Don’t know about you, but I certainly don’t find that arousing….)