Title: American Vampire, Volume II
Writer: Scott Snyder
Artists: Rafael Albuquerque & Mateus Santolouco
Series: American Vampire (Volume II, Issues #6-11)
Publisher/Copyright: Vertigo, 2011
When I read the first volume of American Vampire, I decided that I would review each volume individually because it appeared that each would be more or less a self-contained story. Having now read the second volume, I think this was a good decision. Just realize that as the review of part two in a series, this will contain spoilers for American Vampire, Volume I. Read on at your discretion. I will refrain from repeating my “twi-hard” rant though, so you can rest easy on that count.
At the end of Volume I, Marshall Book convinced his young wife to kill him to prevent his succumbing to the red thirst of vampirism, but not before she was pregnant with his daughter. Together, mother and daughter plot their revenge on the man that infected him—Skinner Sweet. Sweet walked off into the sunset, gleeful in his immortality, while his newly-turned protege Pearl Jones destroyed her traitorous best friend and the elders that turned her life upside down and then disappeared with her new lover. All is quiet for ten years….
For this second volume, Scott Snyder handles sole writing duties (I guess Stephen King was just in for the first arc) and the book ceases telling two stories simultaneously (see Volume I for an explanation of that) in favor of simply moving forward. This collection is composed of two stories, Devil In The Sand and The Way Out. First, Rafael Albuquerque holds the pencil as Devil In The Sand introduces a new protagonist in Cash McCogan, sheriff of the formerly-sleepy little town of 1936 Las Vegas. Vegas isn’t very sleepy anymore, however, not with the Hoover Dam going in. The workers need someplace to let off steam, and gambling and prostitution have been “temporarilly” legalized in order to allow them to do just that, but somehow McCogan doesn’t think things will settle back down after construction is complete. What he doesn’t know is that the dam is being secretly financed by the vampire Elders, and when someone begins taking out the consortium in charge of construction his town is about to become ground zero for a battle between the vampire old guard, the local vice lord “Bill Smoke” (A.K.A. Skinner Sweet), and a group dedicated to the erradication of vampire-kind from the face of the Earth. And despite his trouble believing in the existence of vampires, it turns out he has a far more personal connection to the conflict than he realizes….Next, Albuquerque gets a break to catch up while Mateus Santolouco draws The Way Out. Pearl Jones’ traitorous ex-best-friend Hattie Hargrove’s wounds have turned out to be less than fatal, and after ten years of torture and experimentation at the hands of the Elders she wants some major payback on Jones. Meanwhile, Jones and her husband Henry stumble into conflict with a human smuggler and his vampire crew.
Snyder’s scripting continues to be spot-on here, though I was a bit disappointed in The Way Out’s ending. I felt like they set it up to be one thing and then pulled out the rug. Oh well, that’s just me. Albuquerque’s art fits the series well, as I’ve mentioned before, and Santolouco does a credible job trying to match his style for the second feature. On the whole, American Vampire continues to be an excellent book.
Content: This is a Vertigo book, folks. That means grown-ups only. Bloody violence, vampire and otherwise. R-rated language. Sexual content, including nudity.