At last! The long awaited final* novel in Kim Newman’s excellent vampire pastiche series is here! And it was superb, let me tell you. Only the original novel was better, in my humble opinion. Maybe it was because I got more of the references this time without resorting to Google, given that I’m not an expert on WWI literature and films or post-WWII Italian cinema whereas this time the action was mostly set in the USA and within the last forty years. Still not really my era (I wouldn’t even have been reading yet when the novel ends), but the setting was still much more familiar than the last couple have been. The format this time was a little different, instead of doing a straightforward novel Mr. Newman has been teasing his fans for the past decade with shorter novellas carrying the story forward. Now they’re finally gathered in one place, ostensibly edited a bit so they fit together better, and with the last couple finally seeing the light of day. Or night, if you’re nosferatu.…
In Anno Dracula, that vampire prince forcibly pulled the nosferatu out of the shadows of the world forever when he seduced and married Queen Victoria. London became a veritable safe haven for the undead, and they flocked there from the far corners of the world. Newborn nosferatu swelled in numbers, spurred not only by Dracula himself but by countless other literary and film vampires, from Orlok to Lestat and everyone in between. Eventually Dracula’s reign was ended, and he was forced to flee the country, landing in the Austro-Hungarian Empire where he became a close adviser to the Kaiser. During WWI he engineered a program to transform The Bloody Red Baron and other German flying aces into an unbeatable vampiric air force before being thwarted by the Allies and once again fleeing his pursuers. During Hitler’s purge of all nosferatu whose bloodlines he deemed “tainted,” Dracula forged an uneasy alliance with his former enemies and fomented revolution in Transylvania in order to open up another front against the Axis. For his services, he was given a castle in Italy after the war and forced to quietly accept his exile. In Dracula Cha Cha Cha (1959) Dracula was destroyed on the eve of his wedding, seemingly ending the epic saga of his life and leaving the world to wonder who if anyone would assume his mantle as unofficial (yet undisputed) leader of vampire-kind. Many have tried, and thus far all have failed. Johnny Alucard (as he will come to be known) intends to succeed…but not quite how anyone expects.
Whereas previous entries to the series have focused in tightly on one event or short period of time, Johnny Alucard covers a broad range, tracking the course of Johnny Alucard from 1976 in Transylvania to 1991 in Hollywood. Observe with Kate Reed Francis Ford Coppola’s seemingly-cursed attempts to forge a big-budget Dracula film in a third-world country!** Catch up with Genvieve as she assists Philip Marlowe in rescuing a young girl from the cult of
Scientology Immortology! Revisit Penny in New York as she serves as assistant to the infamous artist and vampire Andy Warhol! Watch with the world as Kate Reed enters the besieged Transylvanian embassy, overtaken by terrorists/freedom fighters who want to see Transylvania become a dedicated homeland for the undead! See Orson Welles’ doomed attempts to make his own Dracula film! See the US military’s vampire corps unseat the Ceausescu regime! See the climax of Johnny Alucard’s machinations as the world watches events transpiring at the Concert For Transylvania! Featuring cameos (as well as more substantial roles) from such historical personages as Coppola, Warhol, Welles, and countless Hollywood folk, as well as literary and film characters from “The Dude” to Blade and Hellboy. Like I said above, I really enjoyed this entry in the series, more than any of the two previous sequels. To explain further would be to spoil the overarching plot (all that above was mostly backdrop), and I’ll firmly resist that urge. Just ask yourself, how does Dracula constantly keep coming back in the movies despite being destroyed at the end of each?
CONTENT: R-rated language. Strong violence, vampiric and otherwise. Quite a bit of sexual innuendo (not usually explicit), including prostitution. Drug content, if that offends you. Also…vampires. Some would consider that occultic, although Newman’s vampires have very little magic about them aside from some telepathy and an inexplicable lack of reflection.
*So far, anyway…I’m not convinced we’re done. Or maybe that’s just wishful thinking….
**Yes, this replaces Apocalypse Now, complete with all the attendant disasters on set.