They keep referring to this Empire And Rebellion set of books as a series or a trilogy, but I don’t think that’s very accurate. From what I can see, these are three individual books not connected in any way aside from the fact that they are set around the same time (i.e. between Star Wars IV: A New Hope and Star Wars V: The Empire Strikes Back) and feature the “big three” characters from the films–Han, Luke and Leia–with one book primarily from each viewpoint. Razor’s Edge is primarily focused on Leia, with Han pulling a significant number of POV scenes as well.
Han and Leia are on yet another vital mission for the Rebellion, hoping to buy much-needed supplies for the construction of Echo Base on Hoth. Only when they come out of hyperspace to pick up the coordinates for their meeting, they’re met with an Imperial cruiser! Damaged and on the run, the Rebels barely escape to the rendezvous point only to find their troubles compounded–the smugglers they’re to meet have just fallen afoul of a local pirate band. Worse yet, the pirates are an orphaned Alderaanian defense crew forced into piracy to keep themselves afloat–and they’re deep in debt to a larger pirate armada who wouldn’t think twice before selling Leia to the Empire. Leia and Han are going to have to think fast and talk faster to maneuver their way out of this one….
This book was a lot of fun, and probably the best bridge between Episodes IV and V for adult readers–most of the other stuff in this period is either YA or side adventures. Getting insight into this stage of Han and Leia’s relationship was a great bonus, as well as seeing the evolution of the various interconnected friendships between the “big three” of the Star Wars films. I loved the biting humor of Han and Leia’s banter, it was great. The insight into Leia’s character was also excellent, and long overdue–Han and Luke both have a plethora of solo stories, but Leia-centric media is strangely lacking. The insight and exploration of her character worked incredibly well, with the band of Alderaanian pirates serving as a catalyst to allow the reader to explore her guilt and grief over the destruction of her home planet. All this emotional and relational drama doesn’t keep the story from being a thrill-ride full of death-defying stunts, however. You may have trouble finding time to breath between feats of daring-do.
There are always issues setting a story in such a heavily-documented part of the timeline, but on the whole the novel managed to either avoid them or handle them adroitly. Since the book wasn’t rooted in a throwaway line from the films, there was no need to explain away earlier stories based on that same line. Lando didn’t appear, so that convoluted relationship grew no more tangled. The only real issue it had to face was the one that’s unavoidable–how do you create drama when we know everyone (or at least everyone we knew going in) is going to survive intact for the film that happens right around the corner? Mostly the author handled this by creating emotional drama, forcing Leia to deal with these wayward members of her own people and the emotions that they call up. She also manages to make us care about most of the side characters she creates, so while we know Han and Leia will come out of all the death-defying exploits intact, you’re still riveted to the page to make sure your favorite side players are doing okay.
CONTENT: Mild language. Brief sexual innuendo and flirting from Han, but nothing too bad. A fair amount of violence, as would be expected from Star Wars.