You know me, always on the lookout for some good urban fantasy or steampunk. If said book happens to be set in the Victorian era, I’ll not complain. I’ve a growing taste for that sub-genre tentatively labeled “gaslamp fantasy.” My newest find? Clay and Susan Griffith. This is their first book that I’ve found, but I’m already on the hunt both for the remaining two novels in this trilogy and their previous endeavor, Vampire Empire.
Something stalks the gas-lit streets of London, hungry and hunting. Few would peg dashing playboy Simon Archer as a supernatural vigilante, but then there aren’t many aware that he’s possibly the last scribe in existence. Give him something to write with–pen and paper, clay and a stylus, blood and anything relatively flat–and you’ll never know what hit you. Simon is usually more interested in charming his way into high society’s boudoir than he is in chasing things that go bump in the night, his magical adventures more of a hobby than a serious pursuit. Until, that is, a slavering werewolf tears out the throat of an old friend. Now Simon is on the trail of a threat far bigger than he had ever imagined, and he’s going to need all the help he can get…Help like his mentor/sidekick Nick Barker, a magical jack of all trades who would rather kick back with a pint than endanger himself in thrilling heroics. Help like Malcolm MacFarlane, a strapping Scottish werewolf hunter whose father may or may not have killed Simon’s. Help like Kate Anstruther, beautiful-yet-brilliant daughter of the Empire’s foremost explorer and a talented Alchemist. Together, they just might manage to put an end to the impending onslaught. If they’re incredibly lucky, they might even survive….
The Shadow Revolution is a gaslamp fantasy rollercoaster of a thriller, a summer blockbuster in novel form, and this is both its greatest strength and its greatest weakness. The action never lets up, delivering a truly thrilling tale. Unfortunately, this breakneck pace leaves little time to take some of the characters much past their Central Casting descriptions. There’s some character development, to be sure, especially Simon and Kate, but a number of the interesting side characters get shortchanged. I’d like to know how Kate’s manservant Hogarth became such a beast, and the steampunk engineer Penny Carter is definitely intriguing as well. So far as that goes, we never do find out just what the villains’ endgame was, just that it was nasty and necessitated the removal of our protagonists as an obstacle. That’s enough, though, and you never really notice the omission until things are wrapped up. At the end of the day, if you’re looking for a fun, by-the-numbers thriller, look no further. That’s what the authors set out to deliver, and they do a masterful job of it.
CONTENT: R-rated profanity, if you’re British. If you’re American, probably PG-13. Moderate sexual innuendo, not too explicit. Strong violence, occasionally gory and/or disturbing. Rampant magical content, from necromancy to alchemy.