Tag Archives: Mark Powers

Review: “The Dresden Files: Ghoul Goblin” by Jim Butcher, Mark Powers, & Joseph Cooper

Title: Ghoul Goblin
Writers: Jim Butcher & Mark Powers
Artist: Joseph Cooper
Series: The Dresden Files
Rating: *****
Publisher/Copyright: Dynamite, 2013

After producing comic adaptations of the first two Dresden Files novels, the creators decided to go in a different direction: original stories starring Dresden instead of just adapting preexisting tales. Personally, I’m in favor of this decision, since my favorite of the comics so far was the prequel that was set before the series began. And thus we get Ghoul Goblin, an original adventure set several months after the events of Fool Moon, taking Harry Dresden away from the Windy City and all the way to Boone Mill, Missouri in defense of a family of orphans.

Nearly a century ago, Major Archibald Talbot had the spectacularly bad sense to insult and offend a cadre of Egyptian mystics, a lapse in judgement that led to a nasty curse being placed on him and his entire bloodline. Ever since, Talbots have tended to draw supernatural trouble like flies to a rotting corpse. Today, all that remains of the Talbot bloodline is a single family…and the last week has seen two of the seven orphaned siblings die under mysterious circumstances. Can even Harry Dresden manage to protect the remaining Talbots and lift the curse? You’ll have to read on to find out!

On the whole, I really enjoyed this. It fit well into the larger Dresden universe, referencing other events and maintaining its connection to the series as a whole without making you feel lost if you were a new reader. It was interesting to see a few future elements foreshadowed too, such as Harry’s fight with a creature that just might be first contact with the Fomor. The art was great, if not as striking as Ardian Syaf’s in earlier books. (I’ll stop whining about that someday, I promise….) Syaf did come back long enough to do the covers, though, so that was better than nothing I suppose.

CONTENT: Some R-rated profanity, but not too gratuitous. Minor sexual innuendos, nothing explicit. Some gruesome violence, with varying degrees of gore. Harry is a wizard, working with magic and spells. There are various degrees of magical and monstrous creatures in this universe, with varying degrees of connection to the occult. Take that how you will.

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Review: “The Dresden Files: Fool Moon” (GN Adaptation) by Jim Butcher, Mark Powers, & Chase Conley

Title: Fool Moon Volume I/Volume II
Original novel by: Jim Butcher
Adapted by: Mark Powers
Artist: Chase Conley
Series: The Dresden Files
Rating: ****
Publisher/Copyright: Dynamite, 2011/2013

By now, I shouldn’t really have to explain my absolute love of Jim Butcher’s masterwork, The Dresden Files. I think I’ve made that abundantly clear on a repeated basis, whether reviewing the last couple books in the series (Cold Days, Skin Game) or either of the previous graphic novels–the prequel Welcome To The Jungle and the adaptation of the first book in the series, Storm Front. And now we come to the graphic novel adaptation for book two: Fool Moon, again in two parts that I will review together here. The general consensus among fans of the series is that the first two or three books are merely good, while every book after that goes up in awesomeness by something like an order of magnitude, and I largely agree. It’s been quite a while since I read the actual novel version of this (which means it’s time to go back and re-read the entire series!), but from what I remember this seemed pretty faithful to the book.

Harry Dresden is having a bit of a rough patch. I know, what else is new? With their friendship still strained by the lies he told to protect her back in Storm Front, Murphy has been calling him in for jobs less and less, which means that Harry is having to scrape the bottom of the barrel to find money for rent. All the same, Chicago has been mostly quiet on the supernatural apocalypse front, and for that Harry is grateful. Alas, it can’t last. People are dying at every full moon, and even a rookie would know what that means–there’s a werewolf in town. Harry had better figure out what’s going on quick, before more people end up as dog food….but that’s not going to be easy with “Gentleman Johnny” Marcone on his tail, along with a crew of suspicious Feds watching his every move, Murphy still not sure she trusts him, and a lycanthropic street gang out for his head. Why can’t it ever just be simple? Oh, right….because that’s no fun….

Like I said above, this was pretty faithful to the book. The only thing really missing was Dresden’s snarky humor as he narrates, and I’ll admit that I missed it a bit. The real downfall here though, and what cost it that fifth star, is the artwork. It wasn’t atrocious, it wasn’t even really objectively bad, but I didn’t like it. Partially, yes, it’s the fact that I still miss the stellar work of Ardian Syaf. I recognize that, and I need to get over it. But then, I don’t tend to be a fan of this particular style of art anyway. There’s also the fact that half the time I can only tell Murphy from Tera based on their clothes, and the female characters tend to be over-sexualized even when that’s not a part of their character. Susan, I get that. That’s how she is. Tera, likewise. As much time as she spends without clothes on shifting back and forth or as a distraction, I can see why she would be sexualized. I’m less understanding of Kim’s neckline–that’s not the kind of relationship she has with Dresden–and I highly doubt that Murphy would dress quite so provocatively (even if she’s fairly conservative compared to the others). There’s never quite anything that would send the book into Vertigo territory (were this DC), but the shadows and foreground objects get quite a workout keeping this book PG-13.

CONTENT: Brief R-rated language. Some gory violence. No outright nudity, thanks to incredibly-convenient shadows or foreground objects, but so close it’s almost no difference. Also….Dresden’s a wizard. There’s gonna be magic. You’ve been warned.

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Review: “John Constantine, Hellblazer: The Family Man” by Jamie Delano, Grant Morrison, Neil Gaiman, David Lloyd, Dave McKean, Ron Tiner, & Sean Philips

Title: The Family Man
Writers: Jamie Delano, Grant Morrison, Neil Gaiman & Dick Foreman
Artists: Ron Tiner, David Lloyd, Dave McKean, Sean Phillips, Steve Pugh, Dean Motter, Kevin Walker, Mark Buckingham, Mark Pennington, & Tim Bradstreet
Series: John Constantine, Hellblazer (Volume IV, Issues #23-33)
Rating: *****
Publisher/Copyright: Vertigo, 2012

This volume of the ongoing Hellblazer comic series proved to be a mixed bag, not in terms of quality but in terms of subject matter. Much like the first volume, but in this case it was all tied together by a larger narrative. It was, I think, my favorite volume so far….which is a bit chilling, since this was undoubtedly the most messed up volume yet as well. At any rate, I’m finally seeing what everyone raves about with this series.

John Constantine knows how to handle a supernatural threat. Usually, that’s run like hell, but still. He faces down the things that go bump in the night on a regular basis, has stared into Hell and had Hell stare back. He bears the scars of these encounters, both physical and mental. But now? Now Constantine is up against his most unnerving enemy yet–a strictly vanilla human serial killer who specializes in slaughtering entire families. Fresh from the near-apocalypse caused by the government’s runaway “fear machine,” and needing a place to lay low, Constantine drops in on an old friend and finds himself in the middle of a mind-bending meta-fictional romp. A few weeks later, a mysterious figure shows up at the door in search of Constantine’s missing friend. This encounter will plunge Constantine into a deadly game of chess for his very soul…. In between the moves of that deadly game, we get some guest appearances. First off, Grant Morrison and David Lloyd spin a tale of nuclear horror as a town and the new missile base just up the road both fall victim to a sinister experiment. Then Neil Gaiman and Dave McKean take an issue to explore the human need for affection and just simply being noticed. Later, Dick Foreman spins a yarn about a madman’s dream to take over the world using an unlikely vehicle for his ambitions.

Like I said, this volume mostly holds together pretty well. We segue in from the previous volume, then move on to set up the chance meeting between Constantine and the Family Man. From there, Constantine tries to ignore the fact that he alone knows the killer’s identity, having a couple side adventures that allow for some guest teams and (I presume) Delano to catch up his schedule before the main showdown and cleanup. It meanders a bit at the end, perhaps, but that mostly serves to allow the next volume to start on cue instead of rambling about first. I’m fine with that. Random Neil Gaiman appearances are always appreciated, and Dave McKean’s style complemented the story being told quite well. I wasn’t quite as fond of the Morrison/Lloyd tale, but that may have been a byproduct of its very obvious political leanings, and I found the Dick Foreman story pretty forgettable, possibly because the art rubbed me the wrong way. At any rate, I’m sticking with the series for a while longer. I see we change lead writers for the next volume, so that will be interesting….

CONTENT: Some strong language, PG-13 grade. Some semi-explicit sexual content, including implied molestation, incest and rape as a city gives in to all of its suppressed desires. Strong violence, very gory in a couple places. Very little occult content this volume though, considering the series as a whole.

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Review: “The Dresden Files: Storm Front (GN Adaptation)” by Jim Butcher, Mark Powers, Ardrian Syaf & Brett Booth

Title: Storm Front Vol. I: The Gathering Storm/Vol. II: Maelstrom
Original novel by: Jim Butcher
Adapted by: Mark Powers
Artists: Ardrian Syaf (Vol. I-II) & Brett Booth (Vol. II)
Series: The Dresden Files
Rating: *****
Publisher/Copyright: Dabel Brothers, 2009/Dynamite, 2011

Okay, I’ll just say this up front and get it out of the way: you should totally be reading the real books, not these graphic adaptations. However, I’ve read the real thing, and so now have no compunctions about reading the graphic novel. To clarify, this is a graphic novel adaptation of the first novel in the series, published in two volumes and reviewed here as one unit.

When the Chicago PD have a case they don’t know how to explain, they give it to Karrin Murphy and the Special Investigations division. When Murphy thinks there may actually be something supernatural going on, she calls in the only practicing wizard in the Chicago phone book–Harry Dresden. This time, there’s a couple of corpses in a gore-splattered hotel room, their hearts exploded from their chests mid-climax. One is a high-class hooker, one of Madame Bianca’s girls. The other is the right-hand man of Chicago’s local mob boss. This was obviously the work of a powerful wizard–the problem is, Harry’s the only one around who fits the bill. Now Harry has the council watching his every move, and any attempt to recreate the spell used to kill the hitman and the hooker may be enough to seal his doom. On the other hand, if he can’t figure out what happened, the city will soon be gripped in a war between the mob and Madame Bianca’s vampires. In addition, he has another seemingly-unrelated case to distract him, and a beautiful tabloid journalist vying for his attentions. Can Harry unravel these tangled plot threads and figure out what’s going on? Go read the book and find out!

Granted, it’s been a while since I’ve read the original novel this is adapted from, but this seemed incredibly faithful. Jim Butcher seemed to think so in his introduction, anyway. The writing was good, which can partially be laid at the foot of adapter Mark Powers but I think belongs mostly to Jim Butcher’s original novel. The art, however, is the reason I picked this up in the first place–keep in mind, this is adapted from a book I’ve already read, so it wasn’t too high on my priority list. Ardian Syaf, the same artist from the prequel Welcome To The Jungle, continues his stellar work here. Characters I’ve been reading about for years jump off the page almost exactly how I imagined them, and I have to say it’s been a great experience. Where the first volume  falls short is in it’s bonus story in the back, an adaptation of the first ever Dresden short story Restoration Of Faith. It wasn’t a particularly strong story to begin with (by Butcher’s own admission), and the graphic treatment isn’t kind. It’s adapted by Grant Alter with art by Kevin Mellon, and it just doesn’t stack up. Important information is never given, a character just appears out of nowhere when it’s time for him to show up with no introduction, and the villain’s defeat is almost incoherent–if I hadn’t read the story before I would have no idea what happened in those two panels. The art isn’t particularly horrible, but it’s not good either. I would almost tell you not to bother with this so-called bonus story, and just find the original in Butcher’s Dresden anthology Side Jobs. Midway through producing the adaptation, it appears the original publisher (Dabel Brothers) either went out of business or sold the property to Dynamite. This obviously delayed some of the production, and artist Ardian Syaf got a better offer from DC. You know, one that actually involved working and getting paid instead of waiting for the paperwork to be settled. I don’t like that he left, but I can understand it. The powers that be replaced him with Brett Booth for the remainder of the second volume, and I suppose Booth did okay. Had he been on the book from the beginning, I would have been fine with it. As it stands, however, the switchover was jarring, unannounced, and a little disappointing. Will I keep reading these? Of course! It’s still Dresden….its just that Syaf’s art was what pulled me into this in the first place, and now that’s gone.

CONTENT: Mild language. Some gory violence and creepy creatures. Some non-explicit sexual content, including a set of corpses still locked in a very sexual position and some discussion of prostitution. Occult-wise….Harry’s a wizard. You know up front what you’re getting into with this one….

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