I reviewed the original miniseries on here several months ago (see that here). These are the sequel miniseries, which I reviewed separately on Goodreads but thought I would post here as well. The obvious lack of Neil Gaiman proves to be their undoing, unfortunately…..perhaps it is unfair—though perfectly natural—to compare these to his stellar foundation to the 1602 universe, but I can’t help it. Nevertheless, I found them worth the read.
Title: MARVEL 1602: THE NEW WORLD
Writer: Greg Pak
Illustrator: Greg Tocchini
Publisher/Copyright: Marvel Comics, 2006
The saga began by Neil Gaiman in his stellar book 1602 continues! Except that he’s no longer writing it….He did serve as “creative consultant” for this book though, so I can only assume that’s why it was just “meh” as opposed to being a total suckfest.
Okay, so when 1602 left off Steve Rogers was returned to the future along with Sir Nicholas Fury, the Witchbreed left on a quest of their own as did the Fantastick Four, David Banner was hit with all the gamma energy of the closing space/time rift, as was a spider that bit young Peter Parquah. The colony of Roanoke declared its independence from Britain, and that was that. Now King James wants to know why Banner isn’t back with Fury’s head, so he sends Captain Ross and Antonio Stark, Lord Iron to the New World to reclaim him. In other news, Norman Osborne is stirring up trouble with the natives for the colony in a bid to find the source of all the strangeness that has plagued the New World recently, hoping to exploit it to his own ends….
The resulting battle feels like it should be epic, but doesn’t quite make it. If you were left unsatisfied at the end of 1602, you probably would do well to read this and get a little more closure at least. But be forewarned, it has nowhere near the awesomeness of Gaiman’s original.
Title: MARVEL 1602: FANTASTICK FOUR
Writer: Peter David
Illustrator: Pascal Alixe
Publisher/Copyright: Marvel Comics, 2007
The phenomenal 1602 saga Neil Gaiman created continues! It just doesn’t have Neil Gaiman attached to it anymore. In any capacity. The result isn’t terrible, its just not terribly good…..
At the end of 1602 the Fantastick Four quietly exited stage right. Apparently King James was uncharacteristically (at least for this fictional version) merciful, allowing them to go their separate ways and go adventuring no more on pain of execution for being Witchbreed. When last seen, Otto “The Handsome” Von Doom had been horrifically scarred in the FF’s escape from his Latverian fortress. But now travellers’ tales begin to spread of a city beyond the edge of the world whose science is far advanced beyond the abilities of those in the outside world….Atlantis! When Doom kidnaps William Shakespeare to chronicle his quest and sets out for Atlantis with the intent of seizing this power himself, the King forces Reed Richards and his fantastick crew to follow on pain of death. But Atlantis will prove more than a match for any who would seize it by force, as even Doom has not counted on Prince Numenor….
Again, I wanted to like this a lot. Instead, I liked it a little. But then, perhaps it is unfair to compare it to Gaiman’s foundational work in this universe….although I would argue it’s perfectly natural. At any rate, this miniseries offers little closure and while there is one more focused on Peter Parquah, I don’t see their paths crossing. So for that, I would like to see at least one more to wrap up some of the plot threads left hanging here. If you enjoyed the original, this is worth your time. If you haven’t read the original, go do it NOW and then come back. But if you disliked the original miniseries, I doubt you’ll find much here to engage you.
Title: SPIDER-MAN: 1602
Writer: Jeff Parker,
Illustrator: Ramon Rosanas
Publisher/Copyright: Marvel Comics, 2010
And so we come to the end (at least for now) of the Marvel 1602 saga. And this time, I feel the product we are given at least comes close to matching Neil Gaiman’s excellent foundation for this world.
Despite the title of the book, it is actually several years after the events in 1602–I have the impression the year was 1608, but I can’t put my finger on why. This miniseries picks up the story threads laid down at the end of 1602: New World, with Peter Parquah still in the colony at Roanoke, now a young man and very much in love with the daughter of the governor, Virginia Dare. Norman Osborn has been on his best behavior since the events of 1602:NW and has managed to insinuate himself into the position of Harbor Master, but Peter and Virginia don’t believe he has reformed. When their suspicions are proved correct with tragic consequences, Peter is sent to escort Norman as a prisoner to England where he will answer for his crimes. Meanwhile, back in the Old World, Baron Octavius has imprisoned both Henri Le Pym and Henry McCoy, forcing them to work in his laboratory. They were able to save him from the plague, but the side effects of the treatment were…unexpected. Now he wants them to find a way to restore his humanity. Throw in the pirate King’s Pin and his sidekick Bull’s Eye, the result of Curtis Connors’ own experiments, the travelling Watsonnes’ entertainment troupe and you have this delightful close to the Marvel 1602 saga.
There are still a few loose ends hanging in the wind–mostly ones left by the previous Fantastick Four miniseries, which doesn’t get touched by this entry in the series–but on the whole this offered a good close. Nothing says they CAN’T follow this up, but I get the impression the series is not making them money or garnering critical acclaim anymore, so I kinda doubt it will happen.
Content-wise this is pretty PG across the board. A little language, nothing you won’t hear on primetime TV. An occasional innuendo or unclothed character obscured by shadows or foreground objects. Some violence, a little blood, but nothing too horrific. Pretty standard comic book fare, on the whole.